{"id":1030,"date":"2026-07-22T06:17:07","date_gmt":"2026-07-22T06:17:07","guid":{"rendered":"https:\/\/worldofruprecht.eu\/?p=1030"},"modified":"2026-07-25T13:53:23","modified_gmt":"2026-07-25T13:53:23","slug":"nolanova-odyssea","status":"publish","type":"post","link":"https:\/\/worldofruprecht.eu\/?p=1030","title":{"rendered":"Nolanova Odyssea"},"content":{"rendered":"\n

Epos Odyssea<\/em> voln\u011b navazuje na Iliadu<\/em> a popisuje strastiplnou cestu ithack\u00e9ho kr\u00e1le Odyssea z trojsk\u00e9 v\u00e1lky zp\u011bt do vlasti. Zat\u00edmco v\u00e1lka trvala deset let, Odysse\u016fv n\u00e1vrat zabere dal\u0161\u00edch deset let.<\/p>\n\n\n\n

D\u011bj se nedr\u017e\u00ed p\u0159\u00edsn\u011b chronologick\u00e9 linie a odehr\u00e1v\u00e1 se ve t\u0159ech hlavn\u00edch rovin\u00e1ch:<\/p>\n\n\n\n

    \n
  1. P\u00e1tr\u00e1n\u00ed T\u00e9lemacha (T\u00e9lemacheia):<\/strong> Na Ithace vl\u00e1dne chaos. Odysse\u016fv pal\u00e1c obsadili n\u00e1padn\u00edci, kte\u0159\u00ed se uch\u00e1zej\u00ed o ruku jeho \u017eeny P\u00e9nelop\u00e9 a drancuj\u00ed jeho majetek. Odysse\u016fv syn T\u00e9lemachos se vyd\u00e1v\u00e1 do Sparty a Pylu zjistit informace o sv\u00e9m otci.<\/li>\n\n\n\n
  2. Odysseovo vypr\u00e1v\u011bn\u00ed:<\/strong> Odysseus je dr\u017een nymfou Kalyps\u00f3, ale na p\u0159\u00edkaz boh\u016f je nakonec propu\u0161t\u011bn. Ztroskot\u00e1 na ostrov\u011b Faj\u00e1k\u016f, kde tamn\u00edmu kr\u00e1li vypr\u00e1v\u00ed sv\u00e1 p\u0159edchoz\u00ed fantastick\u00e1 dobrodru\u017estv\u00ed \u2013 st\u0159etnut\u00ed s jednook\u00fdm kyklopem Polyf\u00e9mem (\u010d\u00edm\u017e si na sebe uvalil hn\u011bv boha mo\u0159\u00ed Poseid\u00f3na), setk\u00e1n\u00ed s \u010darod\u011bjkou Kirk\u00e9, proplut\u00ed kolem mo\u0159sk\u00fdch oblud Skylly a Charybdy, odol\u00e1n\u00ed Sir\u00e9n\u00e1m i cestu do podsv\u011bt\u00ed.<\/li>\n\n\n\n
  3. N\u00e1vrat na Ithaku a pomsta:<\/strong> Faj\u00e1kov\u00e9 odvezou Odyssea dom\u016f. Bohyn\u011b Ath\u00e9na ho prom\u011bn\u00ed v \u017eebr\u00e1ka, aby mohl zmapovat situaci. P\u00e9nelop\u00e9 vyhl\u00e1s\u00ed sout\u011b\u017e \u2013 provd\u00e1 se za toho, kdo dok\u00e1\u017ee napnout Odysse\u016fv star\u00fd luk a prost\u0159elit dvan\u00e1ct seker. To se poda\u0159\u00ed pouze maskovan\u00e9mu Odysseovi. N\u00e1sledn\u011b se sv\u00fdm synem T\u00e9lemachem a v\u011brn\u00fdmi sluhy v\u0161echny n\u00e1padn\u00edky pobije, prok\u00e1\u017ee svou toto\u017enost P\u00e9nelop\u00e9 a znovu usedne na tr\u016fn.<\/li>\n<\/ol>\n\n\n\n

    O co v eposu \u0161lo <\/h2>\n\n\n\n

    Odyssea<\/em> nen\u00ed jen dobrodru\u017en\u00fd p\u0159\u00edb\u011bh, v j\u00e1dru nese n\u011bkolik z\u00e1sadn\u00edch my\u0161lenek a mor\u00e1ln\u00edch koncept\u016f starov\u011bk\u00e9ho \u0158ecka:<\/p>\n\n\n\n

      \n
    • Triumf rozumu nad hrubou silou (M\u0113tis<\/em> vs. B\u00ed\u0113<\/em>):<\/strong> V Iliad\u011b<\/em> byl ide\u00e1lem hrdiny bojovn\u00edk jako Achilles (s\u00edla a hn\u011bv). Odysseus p\u0159edstavuje nov\u00fd typ hrdiny. P\u0159e\u017e\u00edv\u00e1 d\u00edky sv\u00e9 inteligenci, lsti, v\u00fd\u0159e\u010dnosti a schopnosti adaptace (tzv. m\u0113tis<\/em>). Kyklopa neporaz\u00ed v p\u0159\u00edm\u00e9m boji, ale tak, \u017ee ho opije, oslep\u00ed a \u0159ekne mu, \u017ee se jmenuje \u201eNikdo\u201c.<\/li>\n\n\n\n
    • Koncept n\u00e1vratu (Nostos<\/em>):<\/strong> Epos definoval archetyp cesty dom\u016f. Nejde jen o fyzick\u00fd p\u0159esun z bodu A do bodu B, ale o znovuz\u00edsk\u00e1n\u00ed vlastn\u00ed identity. Odysseus na cest\u011b odm\u00edt\u00e1 nesmrtelnost (od nymfy Kalyps\u00f3), proto\u017ee d\u00e1v\u00e1 p\u0159ednost sv\u00e9mu lidsk\u00e9mu \u00fad\u011blu, st\u00e1rnut\u00ed po boku sv\u00e9 \u017eeny a sv\u00e9 roli kr\u00e1le.<\/li>\n\n\n\n
    • Pohostinnost (Xenia<\/em>):<\/strong> Toto byl posv\u00e1tn\u00fd z\u00e1kon garantovan\u00fd samotn\u00fdm Diem. Odyssea<\/em> ukazuje extr\u00e9my tohoto pravidla. N\u00e1padn\u00edci na Ithace xenii<\/em> hrub\u011b poru\u0161uj\u00ed (vyj\u00eddaj\u00ed hostitele), Kyklop ji ignoruje (hosty po\u017e\u00edr\u00e1). Naopak Faj\u00e1kov\u00e9 nebo chud\u00fd pas\u00e1k vep\u0159\u016f Eumaios Odyssea pohost\u00ed uk\u00e1zkov\u011b. Poru\u0161en\u00ed xenie<\/em> se trest\u00e1 smrt\u00ed, jej\u00ed dodr\u017een\u00ed p\u0159in\u00e1\u0161\u00ed sp\u00e1su.<\/li>\n\n\n\n
    • V\u011brnost a \u0159\u00e1d:<\/strong> P\u00e9nelop\u00e9 je archetypem v\u011brnosti. Jej\u00ed lest s tkan\u00edm (p\u0159es den tk\u00e1, v noci p\u00e1r\u00e1, aby odd\u00e1lila s\u0148atek) ukazuje, \u017ee je Odysseovi intelektu\u00e1ln\u011b rovn\u00e1. C\u00edlem cel\u00e9ho eposu je obnova naru\u0161en\u00e9ho spole\u010densk\u00e9ho \u0159\u00e1du na Ithace.<\/li>\n<\/ul>\n\n\n\n

      Interpretace v kontextu doby<\/h2>\n\n\n\n

      Epos byl pravd\u011bpodobn\u011b zaps\u00e1n v 8. stolet\u00ed p\u0159. n. l. (po stalet\u00edch \u00fastn\u00edho tradov\u00e1n\u00ed aed\u016f a raps\u00f3d\u016f) v obdob\u00ed tzv. \u0159eck\u00e9 renesance.<\/p>\n\n\n\n

      1. Zrcadlo \u0159eck\u00e9 kolonizace<\/h3>\n\n\n\n

      Osm\u00e9 stolet\u00ed p\u0159. n. l. bylo dobou, kdy \u0158ekov\u00e9 za\u010dali masivn\u011b opou\u0161t\u011bt sv\u00e9 domovy, osidlovat pob\u0159e\u017e\u00ed St\u0159edozemn\u00edho a \u010cern\u00e9ho mo\u0159e a zakl\u00e1dat kolonie. Odyssea<\/em> odr\u00e1\u017e\u00ed tehdej\u0161\u00ed pohled na sv\u011bt: St\u0159edozemn\u00ed mo\u0159e pro n\u011b bylo d\u011bsiv\u00fdm, neprob\u00e1dan\u00fdm prostorem. Monstra jako Skylla, Charybda nebo lido\u017erav\u00ed Laistrygonov\u00e9 zt\u011bles\u0148uj\u00ed re\u00e1ln\u00fd strach tehdej\u0161\u00edch mo\u0159eplavc\u016f z nezn\u00e1m\u00fdch p\u0159\u00edrodn\u00edch \u017eivl\u016f, nebezpe\u010dn\u00fdch \u00fa\u017ein, zr\u00e1dn\u00fdch proud\u016f a ciz\u00edch nep\u0159\u00e1telsk\u00fdch kmen\u016f.<\/p>\n\n\n\n

      2. Posun spole\u010densk\u00fdch hodnot<\/h3>\n\n\n\n

      V kontextu doby p\u0159edstavuje Odyssea<\/em> zlomov\u00fd bod ve v\u00fdvoji \u0159eck\u00e9 mor\u00e1lky. Star\u00e1 aristokratick\u00e1 spole\u010dnost z doby bronzov\u00e9 (o kter\u00e9 eposy vypr\u00e1v\u011bj\u00ed) st\u00e1la na my\u0161lence, \u017ee nejvy\u0161\u0161\u00ed hodnotou je padnout hrdinsky v boji a z\u00edskat v\u011b\u010dnou sl\u00e1vu (kleos<\/em>). Kdy\u017e ale Odysseus sestoup\u00ed v Odysseji<\/em> do podsv\u011bt\u00ed a potk\u00e1 tam mrtv\u00e9ho Achilla, Achilles mu \u0159ekne: \u201eRad\u011bji bych byl n\u00e1den\u00edkem u chud\u00e9ho roln\u00edka, ne\u017e abych vl\u00e1dl v\u0161em mrtv\u00fdm v podsv\u011bt\u00ed.\u201c<\/em> Tento moment je pro dobovou interpretaci kl\u00ed\u010dov\u00fd \u2013 \u017eivot a jeho praktick\u00e9 p\u0159e\u017eit\u00ed za\u010d\u00edn\u00e1 m\u00edt v\u011bt\u0161\u00ed hodnotu ne\u017e slavn\u00e1, ale brzk\u00e1 smrt.<\/p>\n\n\n\n

      3. Konsolidace rodiny a st\u00e1tu (Oikos<\/em>)<\/h3>\n\n\n\n

      Na rozd\u00edl od Iliady<\/em>, kter\u00e1 \u0159e\u0161\u00ed velkou geopolitickou koalici, Odyssea<\/em> se zam\u011b\u0159uje na mikrokosmos \u2013 oikos<\/em> (dom\u00e1cnost, rodina, hospod\u00e1\u0159stv\u00ed). V 8. stolet\u00ed p\u0159. n. l. se v \u0158ecku za\u010d\u00ednaly formovat m\u011bstsk\u00e9 st\u00e1ty (poleis). P\u0159\u00edb\u011bh o tom, jak nep\u0159\u00edtomnost kr\u00e1le vede k \u00fapadku, drancov\u00e1n\u00ed majetku a chaosu, fungoval jako moralita pro tehdej\u0161\u00ed elity. Znovunastolen\u00ed pr\u00e1va a hierarchie na Ithace symbolizovalo dobovou pot\u0159ebu pevn\u00fdch z\u00e1kon\u016f a ochrany majetku v nov\u011b vznikaj\u00edc\u00edch \u0159eck\u00fdch st\u00e1tech.<\/p>\n\n\n\n

      Nolan musel 12 000 ver\u0161\u016f zhustit do zhruba t\u0159\u00edhodinov\u00e9ho filmu, tak\u017ee logicky \u0161krtal, ale tak\u00e9 z\u00e1sadn\u011b m\u011bnil motivace:<\/sup><\/p>\n\n\n\n

        \n
      • Bohov\u00e9 v Odysseov\u011b hlav\u011b:<\/strong> M\u00edsto aby bohov\u00e9 re\u00e1ln\u011b tahali za nitky z Olympu, omezil je Nolan na psychologickou rovinu. Nap\u0159\u00edklad Ath\u00e9na (Zendaya) nen\u00ed skute\u010dnou bohyn\u00ed, ale sp\u00ed\u0161e vidinou \u2013 zosobn\u011bn\u00edm Odysseova sv\u011bdom\u00ed a viny, kterou vid\u00ed jen on s\u00e1m. Na konci filmu se dokonce uk\u00e1\u017ee, \u017ee tato projekce m\u00e1 podobu mlad\u00e9 tr\u00f3jsk\u00e9 \u017eeny.<\/li>\n\n\n\n
      • Vy\u0161krtnut\u00ed Faj\u00e1k\u016f:<\/strong> V eposu Odysseus sv\u00e1 dobrodru\u017estv\u00ed vypr\u00e1v\u00ed kr\u00e1li Alkinoovi. Nolan n\u00e1rod Faj\u00e1k\u016f z filmu \u00fapln\u011b odstranil. Maskovan\u00fd Odysseus zde sv\u00e9 vzpom\u00ednky skl\u00e1d\u00e1 dohromady a vypr\u00e1v\u00ed je nymf\u011b Kalyps\u00f3 (Charlize Theron), a to jako formu terapie a „detoxu“ pot\u00e9, co ho om\u00e1mila lotosov\u00fdmi kv\u011bty.<\/li>\n\n\n\n
      • Trag\u00e9die Kirk\u00e9:<\/strong> U Hom\u00e9ra je Kirk\u00e9 klasick\u00e1 mytologick\u00e1 \u010darod\u011bjka. Nolanova verze (hraje ji Samantha Morton) dostala lid\u0161t\u011bj\u0161\u00ed rozm\u011br odr\u00e1\u017eej\u00edc\u00ed utrpen\u00ed \u017een za v\u00e1lky. Kirk\u00e9 tvrd\u00ed, \u017ee jej\u00ed magie mu\u017ee ve zv\u00ed\u0159ata p\u0159\u00edmo neprom\u011b\u0148uje, ale pouze odhaluje jejich skute\u010dnou vnit\u0159n\u00ed povahu (proto se z nenasytn\u00fdch voj\u00e1k\u016f st\u00e1vaj\u00ed prasata).<\/li>\n\n\n\n
      • Trauma z Tr\u00f3jsk\u00e9ho kon\u011b:<\/strong> Epos bral dobyt\u00ed Tr\u00f3je jako hrdinskou a mistrovskou lest. Ve filmu trp\u00ed Odysseus masivn\u00edmi v\u00fd\u010ditkami sv\u011bdom\u00ed kv\u016fli krvav\u00e9mu masakru, kter\u00fd zp\u016fsobil. Nolan tak\u00e9 p\u0159idal d\u011bjovou linku, kde Odysseus zrad\u00ed a ob\u011btuje sv\u00e9ho bratrance Sin\u00f3na (Elliot Page) jen proto, aby pl\u00e1n s kon\u011bm vy\u0161el, co\u017e ho vnit\u0159n\u011b s\u017e\u00edr\u00e1. Sin\u00f3n se ale v Hom\u00e9rov\u011b Odyssee v\u016fbec nevyskytuje. Postava Sin\u00f3na se prim\u00e1rn\u011b objevuje v eposu Aeneis<\/strong>, kter\u00fd napsal \u0159\u00edmsk\u00fd b\u00e1sn\u00edk Publius Vergilius Maro<\/strong>.<\/li>\n\n\n\n
      • Z\u00e1v\u011bre\u010dn\u00e1 pomsta bez ob\u011b\u0161en\u00fdch slu\u017eebn\u00fdch:<\/strong> V Hom\u00e9rov\u011b eposu nech\u00e1 T\u00e9lemachos chladnokrevn\u011b ob\u011bsit 12 zr\u00e1dn\u00fdch slu\u017eebn\u00fdch. T\u00e9to extr\u00e9mn\u011b krut\u00e9 sc\u00e9ny n\u00e1s Nolan u\u0161et\u0159il. M\u00edsto toho ukazuje P\u00e9nelop\u00e9, jak sama str\u010d\u00ed tu nejz\u00e1ke\u0159n\u011bj\u0161\u00ed ze slu\u017eebn\u00fdch (Melantho, kterou hraje Mia Goth) p\u0159\u00edmo do prob\u00edhaj\u00edc\u00edho krveprolit\u00ed mezi n\u00e1padn\u00edky a Odysseem. Zcela vynech\u00e1no je tak\u00e9 z\u00e1v\u011bre\u010dn\u00e9 setk\u00e1n\u00ed se star\u00fdm otcem L\u00e1ertem.<\/li>\n<\/ul>\n\n\n\n

        Nolan tedy vzal kostru starov\u011bk\u00e9ho m\u00fdtu, odstranil z n\u011bj antick\u00fd fatalismus (kde v\u0161e \u0159\u00edd\u00ed bohov\u00e9) a p\u0159enesl t\u00edhu osudu p\u0159\u00edmo na lidsk\u00e1 bedra a Odysseovu zni\u010denou psychiku.<\/p>\n\n\n\n

        Nolanova Odyssea: V\u00e1le\u010dn\u00e9 trauma a zbyte\u010dn\u00e9 hollywoodsk\u00e9 \u00falitby<\/strong><\/p>\n\n\n\n

        Hom\u00e9rova Odyssea si v dne\u0161n\u00edm kontextu podle mn\u011b klade ot\u00e1zku, pro\u010d se vlastn\u011b Odysseus nedok\u00e1zal tak dlouho vr\u00e1tit dom\u016f? Byla to opravdu jen kletba na\u0161tvan\u00fdch boh\u016f, nebo ono desetilet\u00e9 bloud\u011bn\u00ed pramen\u00ed sp\u00ed\u0161e z toho, co si tenhle v\u00e1le\u010dn\u00fd veter\u00e1n nesl uvnit\u0159 po masakru v Tr\u00f3ji?<\/p>\n\n\n\n

        \"\"<\/figure>\n\n\n\n

        Film n\u00e1m tu psychologickou odpov\u011b\u010f serv\u00edruje docela n\u00e1vodn\u011b, ale v\u00fdsledku to prosp\u00edv\u00e1. Tou nejlep\u0161\u00ed zpr\u00e1vou je, \u017ee Christopher Nolan tentokr\u00e1t nechal stranou sv\u00e9 obl\u00edben\u00e9 hr\u00e1tky s \u010dasem a prostorem. Ne\u010dek\u00e1 v\u00e1s \u017e\u00e1dn\u00e9 zp\u011btn\u00e9 odv\u00edjen\u00ed d\u011bje ani slo\u017eit\u00e9 vrstven\u00ed realit, ve kter\u00fdch byste se ztratili. Rozhodl se vypr\u00e1v\u011bt chronologicky a snesiteln\u011b p\u0159\u00edmo\u010da\u0159e, co\u017e je po jeho p\u0159edchoz\u00edch experimentech vylo\u017een\u011b osv\u011b\u017euj\u00edc\u00ed. Zkr\u00e1tka se op\u0159el o kameru a nato\u010dil uhran\u010div\u00fd p\u0159\u00edb\u011bh bez zbyte\u010dn\u00fdch artov\u00fdch kudrlinek.<\/p>\n\n\n\n

        Z mytologick\u00e9ho hlediska jde o v\u00fdborn\u00fd posun. Bohov\u00e9 zde nesed\u00ed na Olympu, ale funguj\u00ed jako psychologick\u00e9 projekce uvnit\u0159 zdevastovan\u00e9 mysli. Vypr\u00e1v\u011bn\u00ed nymf\u011b Kalyps\u00f3 p\u0159ipom\u00edn\u00e1 sp\u00ed\u0161e sezen\u00ed u terapeuta a samotn\u00fd n\u00e1vrat na Ithaku postr\u00e1d\u00e1 klasickou auru automatick\u00e9ho happy endu. Antick\u00fd fatalismus tu nahradila t\u00edha lidsk\u00e9ho sv\u011bdom\u00ed.<\/p>\n\n\n\n

        Vizu\u00e1ln\u011b je to pochopiteln\u011b obrovsk\u00e1 par\u00e1da. Soumrak myk\u00e9nsk\u00e9 kultury vypad\u00e1 skv\u011ble, Polyf\u00e9mos je naprosto d\u011bsiv\u00fd a z\u00e1v\u011bre\u010dn\u00e9 z\u00fa\u010dtov\u00e1n\u00ed s n\u00e1padn\u00edky m\u00e1 slu\u0161nou dynamiku. P\u0159esto si dovol\u00edm drobnou kac\u00ed\u0159skou pozn\u00e1mku \u2013 co do \u010dist\u00e9 epick\u00e9 velkoleposti na m\u011b Petersenova Tr\u00f3ja z roku 2004 p\u016fsobila o n\u011bco monument\u00e1ln\u011bj\u0161\u00edm dojmem.<\/p>\n\n\n\n

        Sn\u00edmek by u m\u011b aspiroval na absolutn\u00ed \u0161pi\u010dku, kdyby si tv\u016frci odpustili zbyte\u010dn\u00e9 \u00falitby sou\u010dasn\u00fdm hollywoodsk\u00fdm trend\u016fm. Tla\u010dit do starov\u011bk\u00e9ho eposu modern\u00ed politick\u00e9 a soci\u00e1ln\u00ed agendy, obzvl\u00e1\u0161t\u011b co se t\u00fd\u010de naprosto nepat\u0159i\u010dn\u00e9ho obsazen\u00ed n\u011bkter\u00fdch ikonick\u00fdch rol\u00ed (a t\u00edm nemysl\u00edm Helenu, ale t\u0159eba Ath\u00e9nu – bohyn\u011b v\u00e1lky byla l\u00ed\u010dena \u00fapln\u011b jinak ne\u017e k\u0159ehk\u00e1 teenagerka), p\u016fsob\u00ed jako p\u011bst na oko. Je to hrub\u00fd faul na historick\u00fd kontext i na samotn\u00e9ho Hom\u00e9ra. Vytrh\u00e1v\u00e1 to div\u00e1ka z jinak skv\u011ble budovan\u00e9 atmosf\u00e9ry a zbyte\u010dn\u011b to sr\u00e1\u017e\u00ed kvalitu d\u00edla.<\/p>\n\n\n\n

        P\u0159es tuto v\u00fdraznou ka\u0148ku je Nolanova Odyssea my\u0161lenkov\u011b dosp\u011bl\u00fdm filmem, kter\u00fd ukazuje, \u017ee z n\u011bkter\u00fdch v\u00e1lek se \u010dlov\u011bk zkr\u00e1tka nevr\u00e1t\u00ed nikdy.<\/p>\n\n\n\n

        <\/p>\n","protected":false},"excerpt":{"rendered":"

        Epos Odyssea voln\u011b navazuje na Iliadu a popisuje strastiplnou cestu ithack\u00e9ho kr\u00e1le Odyssea z trojsk\u00e9 v\u00e1lky zp\u011bt do vlasti. Zat\u00edmco v\u00e1lka trvala deset let, Odysse\u016fv n\u00e1vrat zabere dal\u0161\u00edch deset let. D\u011bj se nedr\u017e\u00ed p\u0159\u00edsn\u011b chronologick\u00e9 linie a odehr\u00e1v\u00e1 se ve t\u0159ech hlavn\u00edch rovin\u00e1ch: O co v eposu \u0161lo Odyssea nen\u00ed jen dobrodru\u017en\u00fd p\u0159\u00edb\u011bh, v j\u00e1dru … \u010c\u00edst d\u00e1l<\/a><\/p>\n","protected":false},"author":1,"featured_media":1033,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[],"class_list":["post-1030","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultura"],"_links":{"self":[{"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/posts\/1030","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1030"}],"version-history":[{"count":7,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/posts\/1030\/revisions"}],"predecessor-version":[{"id":1043,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/posts\/1030\/revisions\/1043"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/media\/1033"}],"wp:attachment":[{"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1030"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1030"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1030"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}