{"id":1222,"date":"2026-09-21T13:26:05","date_gmt":"2026-09-21T13:26:05","guid":{"rendered":"https:\/\/worldofruprecht.eu\/?p=1222"},"modified":"2026-09-21T14:57:44","modified_gmt":"2026-09-21T14:57:44","slug":"osjan-ossian-1975-kdyz-polska-avantgarda-predbehla-cas","status":"publish","type":"post","link":"https:\/\/worldofruprecht.eu\/?p=1222","title":{"rendered":"Star\u00e1 zn\u00e1most: Kdy\u017e si klav\u00edr s kytarou rozum\u00ed beze slov"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Zat\u00edmco druh\u00e1 polovina osmdes\u00e1t\u00fdch let v tehdej\u0161\u00edm \u010ceskoslovensku \u010dasto znamenala v hudb\u011b invazi lacin\u00fdch syntez\u00e1tor\u016f a zvukovou sterilitu, v roce 1987 vy\u0161la u Pantonu deska, kter\u00e1 \u0161la zcela proti proudu. Setkali se na n\u00ed Martin Kratochv\u00edl (zn\u00e1m\u00fd z formace Jazz Q) a americk\u00fd hr\u00e1\u010d na akustickou kytaru Tony Ackerman. V\u00fdsledkem je album <em>Star\u00e1 zn\u00e1most<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Zapome\u0148te na estr\u00e1dn\u00ed pop nebo u\u010desan\u00fd folk. Jde o \u010dirou, obna\u017eenou akustickou konverzaci dvou brilantn\u00edch muzikant\u016f. Cel\u00e1 deska stoj\u00ed v\u00fdhradn\u011b na intimn\u00edm dialogu akustick\u00e9ho piana a kytary. Hudebn\u011b se pohybujeme na fascinuj\u00edc\u00edm pomez\u00ed komorn\u00edho jazzu, folku a klasick\u00e9 hudby. Atmosf\u00e9rou se nahr\u00e1vka velmi bl\u00ed\u017e\u00ed vrcholn\u00e9 produkci kultovn\u00edho vydavatelstv\u00ed ECM \u2013 je hlubok\u00e1, z\u00e1dum\u010div\u00e1 a vy\u017eaduje absolutn\u00ed soust\u0159ed\u011bn\u00ed. Skladby jako <em>Ovocn\u00fd trh<\/em> nebo tituln\u00ed <em>Star\u00e1 zn\u00e1most<\/em> ned\u00e1vaj\u00ed prostor k \u017e\u00e1dn\u00e9 tv\u016fr\u010d\u00ed rutin\u011b. Ka\u017ed\u00fd t\u00f3n tu m\u00e1 sv\u00e9 p\u0159esn\u00e9 opodstatn\u011bn\u00ed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Z pohledu audiofila je tento v\u00fdlisek opravdov\u00fdm sv\u00e1tkem. Absence bic\u00edch a jak\u00e9koliv basov\u00e9 linky d\u00e1v\u00e1 naplno vyniknout samotn\u00e9mu akustick\u00e9mu prostoru. Pokud m\u00e1te na ram\u00e9nku gramofonu zav\u011b\u0161enou kvalitn\u00ed p\u0159enosku s eliptick\u00fdm hrotem, \u010dek\u00e1 v\u00e1s obrovsk\u00fd z\u00e1\u017eitek z mikrodynamiky. Usly\u0161\u00edte p\u0159esn\u00fd dozvuk ka\u017ed\u00e9ho \u00faderu klad\u00edvka do struny klav\u00edru i autentick\u00e9 sklouznut\u00ed prst\u016f po pra\u017ec\u00edch Ackermanovy kytary. Zvukov\u00ed in\u017een\u00fd\u0159i odvedli precizn\u00ed pr\u00e1ci a dr\u00e1\u017eky nab\u00edz\u00ed velmi p\u0159irozen\u00fd, neagresivn\u00ed zvuk, kter\u00fd v\u00e1s vt\u00e1hne p\u0159\u00edmo do studia.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Toto je p\u0159esn\u011b ta nahr\u00e1vka, kterou chcete z obalu vyt\u00e1hnout pozd\u011b v noci, kdy\u017e okoln\u00ed sv\u011bt kone\u010dn\u011b ztichne. Nalijte si do sklenky obl\u00edben\u00fd esterov\u00fd rum, zhasn\u011bte lampy a nechte tyhle dva mistry vypr\u00e1v\u011bt. V z\u00e1plav\u011b tehdej\u0161\u00ed pr\u016fm\u011brn\u00e9 produkce p\u0159edstavuje <em>Star\u00e1 zn\u00e1most<\/em> nad\u010dasov\u00fd jazzov\u00fd klenot, kter\u00fd ve va\u0161\u00ed sb\u00edrce rozhodn\u011b nesm\u00ed chyb\u011bt.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Zat\u00edmco druh\u00e1 polovina osmdes\u00e1t\u00fdch let v tehdej\u0161\u00edm \u010ceskoslovensku \u010dasto znamenala v hudb\u011b invazi lacin\u00fdch syntez\u00e1tor\u016f a zvukovou sterilitu, v roce 1987 vy\u0161la u Pantonu deska, kter\u00e1 \u0161la zcela proti proudu. Setkali se na n\u00ed Martin Kratochv\u00edl (zn\u00e1m\u00fd z formace Jazz Q) a americk\u00fd hr\u00e1\u010d na akustickou kytaru Tony Ackerman. V\u00fdsledkem je album Star\u00e1 zn\u00e1most. Zapome\u0148te &#8230; <a title=\"Star\u00e1 zn\u00e1most: Kdy\u017e si klav\u00edr s kytarou rozum\u00ed beze slov\" class=\"read-more\" href=\"https:\/\/worldofruprecht.eu\/?p=1222\" aria-label=\"\u010c\u00edst v\u00edce o Star\u00e1 zn\u00e1most: Kdy\u017e si klav\u00edr s kytarou rozum\u00ed beze slov\">\u010c\u00edst d\u00e1l<\/a><\/p>\n","protected":false},"author":1,"featured_media":1238,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-1222","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vinyly"],"_links":{"self":[{"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/posts\/1222","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1222"}],"version-history":[{"count":3,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/posts\/1222\/revisions"}],"predecessor-version":[{"id":1230,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/posts\/1222\/revisions\/1230"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/media\/1238"}],"wp:attachment":[{"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1222"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1222"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1222"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}