{"id":164,"date":"2026-04-14T14:29:40","date_gmt":"2026-04-14T14:29:40","guid":{"rendered":"https:\/\/worldofruprecht.eu\/?p=164"},"modified":"2026-05-14T13:35:16","modified_gmt":"2026-05-14T13:35:16","slug":"grzegorz-z-ciechowa-a-projekt-ojdadana-1996","status":"publish","type":"post","link":"https:\/\/worldofruprecht.eu\/?p=164","title":{"rendered":"Grzegorz z Ciechowa a projekt \u201eojDADAna\u201c (1996)"},"content":{"rendered":"\n

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Grzegorz z Ciechowa byl jednor\u00e1zov\u00fd um\u011bleck\u00fd pseudonym a projekt Grzegorze Ciechowsk\u00e9ho, jednoho z nejv\u00fdznamn\u011bj\u0161\u00edch polsk\u00fdch hudebn\u00edk\u016f, skladatel\u016f a l\u00eddra legend\u00e1rn\u00ed kapely Republika. Tento projekt vyvrcholil v roce 1996 vyd\u00e1n\u00edm alba ojDADAna, kter\u00e9 ve sv\u00e9 dob\u011b p\u0159edstavovalo naprost\u00fd zlom na polsk\u00e9 hudebn\u00ed sc\u00e9n\u011b.<\/p>\n\n\n\n

Ciechowski na albu ojDADAna propojil syrov\u00e9 a autentick\u00e9 nahr\u00e1vky polsk\u00e9ho folkl\u00f3ru s tehdy modern\u00edmi elektronick\u00fdmi, pop-rockov\u00fdmi a tane\u010dn\u00edmi rytmy. Ne\u0161lo o p\u0159ezp\u00edv\u00e1n\u00ed lidovek, ale o precizn\u00ed pr\u00e1ci se samply. Proch\u00e1zel archivy Polsk\u00e9ho rozhlasu a hledal a cappella nahr\u00e1vky star\u00fdch venkovsk\u00fdch zp\u011bva\u010dek (jako byla slavn\u00e1 Anna Malec z oblasti Bi\u0142goraje). O instrument\u00e1ln\u00ed str\u00e1nku se postarali \u0161pi\u010dkov\u00ed hudebn\u00edci, mimo jin\u00e9 Leszek Biolik (baskytara), Jacek Kr\u00f3lik (kytara) \u010di Dima Chaabak (Panova fl\u00e9tna).<\/p>\n\n\n\n

Projekt byl p\u0159ijat s obrovsk\u00fdm nad\u0161en\u00edm ze strany hudebn\u00edch kritik\u016f i \u0161irok\u00e9 ve\u0159ejnosti. Dobov\u00e9 i sou\u010dasn\u00e9 recenze (nap\u0159. Polskie Radio) se shoduj\u00ed, \u017ee album \u201evyt\u00e1hlo polsk\u00fd folkl\u00f3r ze zapr\u00e1\u0161en\u00fdch archiv\u016f na klubov\u00e9 parkety\u201c. Nejzn\u00e1m\u011bj\u0161\u00ed hit Piejo kury piejo se stal masivn\u00edm fenom\u00e9nem. Za toto inovativn\u00ed propojen\u00ed z\u00edskal Ciechowski presti\u017en\u00ed ocen\u011bn\u00ed Paszport Polityki za origin\u00e1ln\u00ed vyu\u017eit\u00ed folkl\u00f3ru v neban\u00e1ln\u00ed rockov\u00e9 stylistice.<\/p>\n\n\n\n

Ka\u017ed\u00e1 f\u00faze tradi\u010dn\u00ed hudby s popkulturou v\u0161ak v\u017edy vyvol\u00e1v\u00e1 odpor purist\u016f. Hlavn\u00edm argumentem oponent\u016f v podobn\u00fdch p\u0159\u00edpadech je tzv. kulturn\u00ed apropriace \u2013 tedy obava, \u017ee zasazen\u00ed star\u00fdch ritu\u00e1ln\u00edch nebo pracovn\u00edch p\u00edsn\u00ed do tane\u010dn\u00edho beatu je vytrh\u00e1v\u00e1 z jejich historick\u00e9ho kontextu a redukuje je na pouhou zvukovou kulisu. P\u0159i odborn\u00e9m srovn\u00e1n\u00ed t\u011bchto p\u0159\u00edstup\u016f v\u0161ak v\u011bt\u0161ina hudebn\u00edch publicist\u016f nakonec konstatuje, \u017ee Ciechowski p\u0159istupoval k p\u016fvodn\u00edm nahr\u00e1vk\u00e1m s ohromn\u00fdm respektem. Zp\u011bv lidov\u00fdch um\u011blky\u0148 nedeformoval, ale postavil ho do role hlavn\u00edho, suver\u00e9nn\u00edho vok\u00e1lu.<\/p>\n\n\n\n

Ciechowski se p\u0159i tvorb\u011b p\u0159\u00edmo inspiroval tehdej\u0161\u00edm celosv\u011btov\u00fdm boomem elektronick\u00e9 „world music“, kter\u00fd v 90. letech t\u00e1hly projekty jako francouzsk\u00fd Deep Forest nebo n\u011bmeck\u00e1 Enigma.<\/p>\n\n\n\n

M\u016fj n\u00e1zor je, \u017ee a\u010dkoliv album ojDADAna nedos\u00e1hlo glob\u00e1ln\u00edch komer\u010dn\u00edch prodej\u016f jako zm\u00edn\u011bn\u00fd Deep Forest (z\u016fstalo fenom\u00e9nem prim\u00e1rn\u011b ve st\u0159edn\u00ed Evrop\u011b), z hlediska technick\u00e9 produkce, citu pro sampling a vrstven\u00ed smy\u010dek sneslo naprosto p\u0159\u00edsn\u00e1 sv\u011btov\u00e1 m\u011b\u0159\u00edtka. Ciechowski uk\u00e1zal, \u017ee slovansk\u00fd folkl\u00f3r m\u00e1 naprosto stejn\u00fd hypnotick\u00fd a rytmick\u00fd potenci\u00e1l jako tehdy popul\u00e1rn\u00ed africk\u00e9 nebo keltsk\u00e9 motivy.<\/p>\n\n\n\n

Zat\u00edmco syntez\u00e1torov\u00e9 plochy z poloviny 90. let mohou u mnoha jin\u00fdch alb zn\u00edt dnes u\u017e pon\u011bkud plastov\u011b a archaicky, ojDADAna st\u00e1rne p\u0159ekvapiv\u011b dob\u0159e. Je to d\u00e1no nad\u010dasovou emotivn\u00ed silou lidov\u00fdch hlas\u016f. Jak poznamenali redakto\u0159i Polsk\u00e9ho rozhlasu p\u0159i ned\u00e1vn\u00fdch retrospektiv\u00e1ch, osmdes\u00e1tilet\u00e9 \u017eeny na t\u011bchto nahr\u00e1vk\u00e1ch \u201efrazuj\u00ed s p\u0159esnost\u00ed a citem jako Tracy Chapman\u201c.<\/p>\n\n\n\n

25 let od vyd\u00e1n\u00ed (2021): Album se do\u010dkalo sb\u011bratelsk\u00e9ho uzn\u00e1n\u00ed, kdy\u017e vy\u0161lo v limitovan\u00e9 jubilejn\u00ed edici na \u010derven\u00e9m vinylu u vydavatelstv\u00ed Warner Music\/Pomaton, co\u017e potvrdilo jeho kultovn\u00ed status mezi audiofily a sb\u011brateli.<\/p>\n\n\n\n

Sou\u010dasnost (30 let od vyd\u00e1n\u00ed – 2026): Hudebn\u00ed odkaz \u017eije d\u00e1l. V sou\u010dasnosti prob\u00edhaj\u00ed speci\u00e1ln\u00ed v\u00fdro\u010dn\u00ed koncertn\u00ed projekty (nap\u0159. ve Vratislavi), kde se materi\u00e1l z alba hraje na\u017eivo ve spolupr\u00e1ci se sou\u010dasn\u00fdmi hv\u011bzdami, jako je raper MIUOSH nebo avant-folkov\u00e9 duo SEKUNDa.<\/p>\n\n\n\n

\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

Grzegorz z Ciechowa byl jednor\u00e1zov\u00fd um\u011bleck\u00fd pseudonym a projekt Grzegorze Ciechowsk\u00e9ho, jednoho z nejv\u00fdznamn\u011bj\u0161\u00edch polsk\u00fdch hudebn\u00edk\u016f, skladatel\u016f a l\u00eddra legend\u00e1rn\u00ed kapely Republika. Tento projekt vyvrcholil v roce 1996 vyd\u00e1n\u00edm alba ojDADAna, kter\u00e9 ve sv\u00e9 dob\u011b p\u0159edstavovalo naprost\u00fd zlom na polsk\u00e9 hudebn\u00ed sc\u00e9n\u011b. Ciechowski na albu ojDADAna propojil syrov\u00e9 a autentick\u00e9 nahr\u00e1vky polsk\u00e9ho folkl\u00f3ru s tehdy … \u010c\u00edst d\u00e1l<\/a><\/p>\n","protected":false},"author":1,"featured_media":794,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-164","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vinyly"],"_links":{"self":[{"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/posts\/164","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=164"}],"version-history":[{"count":1,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/posts\/164\/revisions"}],"predecessor-version":[{"id":166,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/posts\/164\/revisions\/166"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/media\/794"}],"wp:attachment":[{"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=164"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=164"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=164"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}