{"id":176,"date":"2026-04-14T14:39:43","date_gmt":"2026-04-14T14:39:43","guid":{"rendered":"https:\/\/worldofruprecht.eu\/?p=176"},"modified":"2026-05-14T13:31:17","modified_gmt":"2026-05-14T13:31:17","slug":"kdyz-betonova-sed-dostane-barvu-blues-martyna-jakubowicz-a-jeji-maquillage","status":"publish","type":"post","link":"https:\/\/worldofruprecht.eu\/?p=176","title":{"rendered":"Kdy\u017e betonov\u00e1 \u0161e\u010f dostane barvu blues \u2013 Martyna Jakubowicz a jej\u00ed\u00a0Maquillage"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">Polsk\u00e1 hudebn\u00ed sc\u00e9na 80. let byla tavic\u00edm kotlem emoc\u00ed, vzdoru a hled\u00e1n\u00ed \u00faniku z \u0161ediv\u00e9 reality. Pr\u00e1v\u011b v t\u00e9to atmosf\u00e9\u0159e se zrodil debut, kter\u00fd dodnes plat\u00ed za naprost\u00fd pil\u00ed\u0159 polsk\u00e9ho blues-rocku. \u0158e\u010d je o albu\u00a0<strong>Maquillage<\/strong>\u00a0od\u00a0<strong>Martyny Jakubowicz<\/strong>. Pokud tuhle desku nezn\u00e1te, p\u0159ich\u00e1z\u00edte o jeden z nejautenti\u010dt\u011bj\u0161\u00edch hlas\u016f st\u0159edoevropsk\u00e9 hudby.<\/h4>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>Kdo je \u201epolsk\u00e1 Joan Baez\u201c s du\u0161\u00ed rockera?<\/strong><\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">Martyna Jakubowicz (<em>nar. 1955<\/em>) nen\u00ed typick\u00e1 popov\u00e1 hv\u011bzda. Je to sp\u00ed\u0161e \u201eanti-hv\u011bzda\u201c. Nikdy se nehnala za prvopl\u00e1nov\u00fdmi hity, p\u0159esto (nebo pr\u00e1v\u011b proto) se stala ikonou. \u010casto ji p\u0159irovn\u00e1vaj\u00ed k Joan Baez pro jej\u00ed folkov\u00e9 ko\u0159eny, nebo k Janis Joplin pro jej\u00ed chraplav\u00fd, bluesov\u00fd projev, ale Martyna je sv\u00e1. Jej\u00ed hudba stoj\u00ed na pomez\u00ed blues, rocku a americk\u00e9ho folku, co\u017e byla v Polsku za\u010d\u00e1tku 80. let, sev\u0159en\u00e9m v k\u0159e\u010di v\u00fdjime\u010dn\u00e9ho stavu, naprosto odzbrojuj\u00edc\u00ed kombinace. Jej\u00ed hlas m\u00e1 v sob\u011b zvl\u00e1\u0161tn\u00ed teplo, kter\u00e9 dok\u00e1\u017ee poslucha\u010de obejmout, ale z\u00e1rove\u0148 v n\u011bm c\u00edt\u00edte smutek a rezignaci generace, kter\u00e1 dosp\u00edvala v \u201edomech z betonu\u201c.<\/p>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>Maquillage: Debut, kter\u00fd zn\u011bl jako best of<\/strong><\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">Album&nbsp;<em>Maquillage<\/em>&nbsp;vy\u0161lo v roce&nbsp;<strong>1983<\/strong>&nbsp;(vydavatelstv\u00ed Pronit, katalogov\u00e9 \u010d\u00edslo M-0009). Na to, \u017ee \u0161lo o debut, je vyzr\u00e1lost materi\u00e1lu a\u017e zar\u00e1\u017eej\u00edc\u00ed. Nen\u00ed to deska hledaj\u00edc\u00edho se nov\u00e1\u010dka. Je to sebev\u011bdom\u00e1 v\u00fdpov\u011b\u010f.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Obrovsk\u00fd pod\u00edl na zvuku desky m\u011bla doprovodn\u00e1 kapela, kter\u00e1 byla slo\u017een\u00e1 z absolutn\u00ed \u0161pi\u010dky tehdej\u0161\u00edho polsk\u00e9ho rocku a blues. Na kytaru zde exceluje&nbsp;<strong>Andrzej Nowak<\/strong>&nbsp;(legend\u00e1rn\u00ed zakladatel kapely TSA), basu tvrdil&nbsp;<strong>Janusz Niekrasz<\/strong>&nbsp;(tak\u00e9 TSA) a na harmoniku hr\u00e1l fenomen\u00e1ln\u00ed&nbsp;<strong>Ryszard Skibi\u0144ski<\/strong>&nbsp;(Kasa Chorych), kter\u00fd bohu\u017eel zem\u0159el kr\u00e1tce po vyd\u00e1n\u00ed desky. Pr\u00e1v\u011b kombinace Martyny s jej\u00ed akustickou kytarou a drav\u00e9ho, elektrick\u00e9ho doprovodu t\u011bchto hudebn\u00edk\u016f vytvo\u0159ila unik\u00e1tn\u00ed zvuk alba.<\/p>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>Kl\u00ed\u010dov\u00e9 momenty desky<\/strong><\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">Deska obsahuje 10 skladeb, ale jedna z nich \u010dn\u00ed nade v\u0161emi jako mrakodrap.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>\u201eW domach z betonu nie ma wolnej mi\u0142o\u015bci\u201d<\/strong>\u00a0\u2013 Toto nen\u00ed jen p\u00edse\u0148, to je hymna jedn\u00e9 \u00e9ry. Text o odcizen\u00ed v anonymn\u00edch panel\u00e1c\u00edch (kter\u00e9 zn\u00e1me moc dob\u0159e i z na\u0161eho prost\u0159ed\u00ed) rezonoval s miliony lid\u00ed. Hudebn\u011b jde o geni\u00e1ln\u011b jednoduchou, hypnotickou skladbu, kter\u00e1 se stala jej\u00edm nejv\u011bt\u0161\u00edm hitem a okupovala prvn\u00ed p\u0159\u00ed\u010dky hitpar\u00e1dy polsk\u00e9ho r\u00e1dia Tr\u00f3jka.<\/li>\n\n\n\n<li><strong>\u201eKiedy b\u0119d\u0119 star\u0105 kobiet\u0105\u201d<\/strong>\u00a0\u2013 Skladba, kter\u00e1 ukazuje Martyninu schopnost ironie a nadhledu. Bluesov\u00e1 dvan\u00e1ctka v tom nejlep\u0161\u00edm slova smyslu.<\/li>\n\n\n\n<li><strong>\u201eSt\u0142ucz szyb\u0119 i wyrzu\u0107 klucz\u201d<\/strong>\u00a0\u2013 Rychlej\u0161\u00ed, rockov\u011bj\u0161\u00ed v\u011bc, kde se naplno projevuje energie Andrzeje Nowaka a jeho kytary.<\/li>\n<\/ul>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>Verdikt<\/strong><\/h5>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Maquillage<\/em>&nbsp;nen\u00ed jen archivn\u00ed kousek pro sb\u011bratele. Je to \u017eiv\u00fd organismus. I po v\u00edce ne\u017e 40 letech zn\u00ed deska neuv\u011b\u0159iteln\u011b aktu\u00e1ln\u011b. Produkce je sice poplatn\u00e1 dob\u011b (trochu zast\u0159en\u00fd zvuk, typick\u00fd pro polsk\u00e9 nahr\u00e1vky z 80. let), ale to j\u00ed paradoxn\u011b p\u0159id\u00e1v\u00e1 na atmosf\u00e9\u0159e. Nen\u00ed to vyle\u0161t\u011bn\u00fd digit\u00e1ln\u00ed produkt, je to hudba, ze kter\u00e9 c\u00edt\u00edte kou\u0159 cigaret, levn\u00e9 v\u00edno a touhu po svobod\u011b.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pro fanou\u0161ky blues-rocku je toto album povinn\u00e1 \u010detba. Martyna Jakubowicz zde dok\u00e1zala, \u017ee blues nen\u00ed jen dom\u00e9nou americk\u00e9ho jihu, ale \u017ee m\u016f\u017ee stejn\u011b siln\u011b kv\u00e9st i v \u0161edi socialistick\u00e9ho s\u00eddli\u0161t\u011b.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Hodnocen\u00ed: 9\/10<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>LP dodnes nevy\u0161lo v \u017e\u00e1dn\u00e9 reedici a v Polsku se prod\u00e1v\u00e1 za ceny 1000 K\u010d a v\u00edce&#8230;<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"996\" height=\"1024\" src=\"https:\/\/worldofruprecht.eu\/wp-content\/uploads\/2026\/04\/IMG_20260121_161310249_DOC-996x1024.jpg\" alt=\"\" class=\"wp-image-177\" srcset=\"https:\/\/worldofruprecht.eu\/wp-content\/uploads\/2026\/04\/IMG_20260121_161310249_DOC-996x1024.jpg 996w, https:\/\/worldofruprecht.eu\/wp-content\/uploads\/2026\/04\/IMG_20260121_161310249_DOC-292x300.jpg 292w, https:\/\/worldofruprecht.eu\/wp-content\/uploads\/2026\/04\/IMG_20260121_161310249_DOC-768x789.jpg 768w, https:\/\/worldofruprecht.eu\/wp-content\/uploads\/2026\/04\/IMG_20260121_161310249_DOC-1494x1536.jpg 1494w, https:\/\/worldofruprecht.eu\/wp-content\/uploads\/2026\/04\/IMG_20260121_161310249_DOC-1992x2048.jpg 1992w\" sizes=\"auto, (max-width: 996px) 100vw, 996px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"974\" height=\"1024\" src=\"https:\/\/worldofruprecht.eu\/wp-content\/uploads\/2026\/04\/IMG_20260121_161323199_DOC-974x1024.jpg\" alt=\"\" class=\"wp-image-178\" srcset=\"https:\/\/worldofruprecht.eu\/wp-content\/uploads\/2026\/04\/IMG_20260121_161323199_DOC-974x1024.jpg 974w, https:\/\/worldofruprecht.eu\/wp-content\/uploads\/2026\/04\/IMG_20260121_161323199_DOC-285x300.jpg 285w, https:\/\/worldofruprecht.eu\/wp-content\/uploads\/2026\/04\/IMG_20260121_161323199_DOC-768x807.jpg 768w, https:\/\/worldofruprecht.eu\/wp-content\/uploads\/2026\/04\/IMG_20260121_161323199_DOC-1461x1536.jpg 1461w, https:\/\/worldofruprecht.eu\/wp-content\/uploads\/2026\/04\/IMG_20260121_161323199_DOC-1948x2048.jpg 1948w\" sizes=\"auto, (max-width: 974px) 100vw, 974px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/worldofruprecht.eu\/wp-content\/uploads\/2026\/04\/IMG_20260122_082819985_HDR-1024x768.jpg\" alt=\"\" class=\"wp-image-179\" srcset=\"https:\/\/worldofruprecht.eu\/wp-content\/uploads\/2026\/04\/IMG_20260122_082819985_HDR-1024x768.jpg 1024w, https:\/\/worldofruprecht.eu\/wp-content\/uploads\/2026\/04\/IMG_20260122_082819985_HDR-300x225.jpg 300w, https:\/\/worldofruprecht.eu\/wp-content\/uploads\/2026\/04\/IMG_20260122_082819985_HDR-768x576.jpg 768w, https:\/\/worldofruprecht.eu\/wp-content\/uploads\/2026\/04\/IMG_20260122_082819985_HDR-1536x1152.jpg 1536w, https:\/\/worldofruprecht.eu\/wp-content\/uploads\/2026\/04\/IMG_20260122_082819985_HDR-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Polsk\u00e1 hudebn\u00ed sc\u00e9na 80. let byla tavic\u00edm kotlem emoc\u00ed, vzdoru a hled\u00e1n\u00ed \u00faniku z \u0161ediv\u00e9 reality. Pr\u00e1v\u011b v t\u00e9to atmosf\u00e9\u0159e se zrodil debut, kter\u00fd dodnes plat\u00ed za naprost\u00fd pil\u00ed\u0159 polsk\u00e9ho blues-rocku. \u0158e\u010d je o albu\u00a0Maquillage\u00a0od\u00a0Martyny Jakubowicz. Pokud tuhle desku nezn\u00e1te, p\u0159ich\u00e1z\u00edte o jeden z nejautenti\u010dt\u011bj\u0161\u00edch hlas\u016f st\u0159edoevropsk\u00e9 hudby. Kdo je \u201epolsk\u00e1 Joan Baez\u201c s du\u0161\u00ed &#8230; <a title=\"Kdy\u017e betonov\u00e1 \u0161e\u010f dostane barvu blues \u2013 Martyna Jakubowicz a jej\u00ed\u00a0Maquillage\" class=\"read-more\" href=\"https:\/\/worldofruprecht.eu\/?p=176\" aria-label=\"\u010c\u00edst v\u00edce o Kdy\u017e betonov\u00e1 \u0161e\u010f dostane barvu blues \u2013 Martyna Jakubowicz a jej\u00ed\u00a0Maquillage\">\u010c\u00edst d\u00e1l<\/a><\/p>\n","protected":false},"author":1,"featured_media":792,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-176","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vinyly"],"_links":{"self":[{"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/posts\/176","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=176"}],"version-history":[{"count":1,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/posts\/176\/revisions"}],"predecessor-version":[{"id":180,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/posts\/176\/revisions\/180"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/media\/792"}],"wp:attachment":[{"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=176"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=176"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=176"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}