{"id":187,"date":"2026-04-14T14:48:59","date_gmt":"2026-04-14T14:48:59","guid":{"rendered":"https:\/\/worldofruprecht.eu\/?p=187"},"modified":"2026-04-14T14:53:00","modified_gmt":"2026-04-14T14:53:00","slug":"enya-pink-floyd-siekiera","status":"publish","type":"post","link":"https:\/\/worldofruprecht.eu\/?p=187","title":{"rendered":"Enya \/ Pink Floyd \/ Siekiera"},"content":{"rendered":"\n

Dnes jsem si v Polsku vyzvednul dal\u0161\u00ed v\u00e1rku \"\ud83d\ude42\". V akci „druh\u00e9 album za 60 %“.<\/p>\n\n\n\n

Enya \u2013 Watermark (1988)<\/p>\n\n\n\n

Tohle nen\u00ed jen hudba, to je duchovn\u00ed koupel. Kdy\u017e se ozvou prvn\u00ed t\u00f3ny \u201eOrinoco Flow\u201c, \u010dlov\u011bk m\u00e1 pocit, \u017ee se vzn\u00e1\u0161\u00ed. Enya a man\u017eel\u00e9 Ryanovi vytvo\u0159ili zvukov\u00fd vesm\u00edr, kter\u00fd nem\u00e1 obdoby. Ta vrstven\u00e1 aran\u017em\u00e1, kde Enya nazp\u00edvala stovky vok\u00e1l\u016f p\u0159es sebe, vytv\u00e1\u0159\u00ed katedr\u00e1lu zvuku. Je to \u010dist\u00e1 magie, kter\u00e1 t\u011b p\u0159enese na irsk\u00e9 pob\u0159e\u017e\u00ed, i kdy\u017e sed\u00ed\u0161 v panel\u00e1ku. Masterpiece!<\/p>\n\n\n\n

Pink Floyd \u2013 Obscured by Clouds (1972)<\/p>\n\n\n\n

Naprosto nedocen\u011bn\u00fd klenot v diskografii Floyd\u016f! Lidi po\u0159\u00e1d mluv\u00ed o Dark Side nebo The Wall, ale tohle album, soundtrack k filmu La Vall\u00e9e, m\u00e1 v sob\u011b neuv\u011b\u0159itelnou syrovost a klid z\u00e1rove\u0148. Gilmourovy kytary v \u201eChildhood’s End\u201c jsou naprosto bo\u017esk\u00e9 a \u201eFree Four\u201c m\u00e1 ten spr\u00e1vn\u00fd rockov\u00fd drajv. Je to deska, u kter\u00e9 c\u00edt\u00ed\u0161 tu tv\u016fr\u010d\u00ed svobodu kapely, kter\u00e1 pr\u00e1v\u011b nach\u00e1zela sv\u016fj definitivn\u00ed zvuk.<\/p>\n\n\n\n

Tenhle remaster je nav\u00edc ta nejlep\u0161\u00ed volba hned po p\u016fvodn\u00edm prvn\u00edm presu.<\/p>\n\n\n\n

Siekiera \u2013 Ballady na koniec \u015bwiata (1994)<\/p>\n\n\n\n

Tohle je temnota, kter\u00e1 t\u011b pohlt\u00ed a nepust\u00ed. Zapome\u0148 na jejich punkov\u00e9 za\u010d\u00e1tky, tady Tomasz Adamski vytvo\u0159il n\u011bco mnohem hlub\u0161\u00edho. Je to melancholick\u00e9, existenci\u00e1ln\u00ed a neuv\u011b\u0159iteln\u011b polsk\u00e9 v tom nejlep\u0161\u00edm slova smyslu. Akustick\u00e9 kytary, \u00fazkost a poezie, kter\u00e1 bol\u00ed. Tohle album je jako proch\u00e1zka opu\u0161t\u011bn\u00fdm m\u011bstem za soumraku. Pokud hled\u00e1\u0161 v hudb\u011b pravdu a syrovou emoci, Siekiera je vrchol.<\/p>\n\n\n\n

Siouxsie & the Banshees \u2013 A Kiss in the Dreamhouse (1982)<\/p>\n\n\n\n

Naprost\u00fd vrchol post-punku a neopsychedelie! Siouxsie je tady v \u017eivotn\u00ed form\u011b \u2013 jej\u00ed hlas je sv\u016fdn\u00fd, nebezpe\u010dn\u00fd a uhran\u010div\u00fd. Deska je barevn\u00e1 jako kaleidoskop, pln\u00e1 experiment\u016f se smy\u010dci a netradi\u010dn\u00edmi n\u00e1stroji. \u201eCascade\u201c nebo \u201eSlowdive\u201c jsou skladby, kter\u00e9 definovaly celou jednu \u00e9ru. Je to temn\u00e9, sexy a um\u011blecky drz\u00e9. Tohle album nest\u00e1rne, zn\u00ed po\u0159\u00e1d stejn\u011b revolu\u010dn\u011b jako v osmdes\u00e1tk\u00e1ch.<\/p>\n\n\n\n

\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

Dnes jsem si v Polsku vyzvednul dal\u0161\u00ed v\u00e1rku . V akci „druh\u00e9 album za 60 %“. Enya \u2013 Watermark (1988) Tohle nen\u00ed jen hudba, to je duchovn\u00ed koupel. Kdy\u017e se ozvou prvn\u00ed t\u00f3ny \u201eOrinoco Flow\u201c, \u010dlov\u011bk m\u00e1 pocit, \u017ee se vzn\u00e1\u0161\u00ed. Enya a man\u017eel\u00e9 Ryanovi vytvo\u0159ili zvukov\u00fd vesm\u00edr, kter\u00fd nem\u00e1 obdoby. Ta vrstven\u00e1 aran\u017em\u00e1, kde … \u010c\u00edst d\u00e1l<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-187","post","type-post","status-publish","format-standard","hentry","category-vinyly"],"_links":{"self":[{"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/posts\/187","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=187"}],"version-history":[{"count":1,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/posts\/187\/revisions"}],"predecessor-version":[{"id":189,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/posts\/187\/revisions\/189"}],"wp:attachment":[{"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=187"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=187"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=187"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}