{"id":190,"date":"2026-04-14T14:51:56","date_gmt":"2026-04-14T14:51:56","guid":{"rendered":"https:\/\/worldofruprecht.eu\/?p=190"},"modified":"2026-04-14T14:52:43","modified_gmt":"2026-04-14T14:52:43","slug":"breakout-ozzy","status":"publish","type":"post","link":"https:\/\/worldofruprecht.eu\/?p=190","title":{"rendered":"Breakout \/ Ozzy"},"content":{"rendered":"\n

Skupina\u00a0Breakout<\/strong>, v jej\u00edm\u017e \u010dele st\u00e1li kytarista\u00a0Tadeusz Nalepa<\/strong>\u00a0a zp\u011bva\u010dka\u00a0Mira Kubasi\u0144ska<\/strong>, je pova\u017eov\u00e1na za nejd\u016fle\u017eit\u011bj\u0161\u00ed formaci polsk\u00e9 rockov\u00e9 historie p\u0159elomu 60. a 70. let. Kapela vznikla v roce 1968 a velmi rychle se transformovala z p\u016fvodn\u00edho beatu do syrov\u00e9ho, energick\u00e9ho blues-rocku s v\u00fdrazn\u00fdmi psychedelick\u00fdmi prvky. Pol\u0161t\u00ed hudebn\u00ed experti, jako nap\u0159\u00edklad\u00a0Wies\u0142aw Weiss<\/strong>\u00a0(autor encyklopedie\u00a0Rock polski<\/em>), zd\u016fraz\u0148uj\u00ed, \u017ee Breakout dok\u00e1zali do tehdej\u0161\u00edho v\u00fdchodn\u00edho bloku p\u0159en\u00e9st zvuk a estetiku srovnatelnou se z\u00e1padn\u00edmi \u0161pi\u010dkami typu Cream nebo Jimi Hendrix Experience. Jejich tvorba byla nav\u00edc pevn\u011b spjata s hlubok\u00fdmi texty b\u00e1sn\u00edka\u00a0Bogdana Loebla<\/strong>, kter\u00e9 hudb\u011b dod\u00e1valy existenci\u00e1ln\u00ed rozm\u011br a odli\u0161ovaly ji od b\u011b\u017en\u00e9 popkulturn\u00ed produkce t\u00e9 doby.<\/p>\n\n\n\n

Album Karate<\/strong> z roku 1972 p\u0159edstavuje jeden z vrchol diskografie Breakout a je jednou z nejprod\u00e1van\u011bj\u0161\u00edch polsk\u00fdch rockov\u00fdch desek v\u0161ech dob. Sestava se pro toto nahr\u00e1v\u00e1n\u00ed ust\u00e1lila ve v\u00fdjime\u010dn\u00e9m slo\u017een\u00ed, kde Nalepu doplnil virtu\u00f3zn\u00ed baskytarista J\u00f3zef Skrzek<\/strong> (pozd\u011bj\u0161\u00ed l\u00eddr kultovn\u00edch SBB). Deska nab\u00edz\u00ed hutn\u00e9 kytarov\u00e9 riffy, propracovan\u00e1 s\u00f3la a progresivn\u00ed struktury skladeb, kter\u00e9 se vymykaly tehdej\u0161\u00edm standard\u016fm. Skladby jako „Noc\u0105 puka kto\u015b“<\/em> nebo tituln\u00ed „Karate“<\/em> demonstruj\u00ed mistrovsk\u00e9 propojen\u00ed d\u0159evn\u00edho blues s modern\u00edm hardrockov\u00fdm v\u00fdrazem. Album z\u00edskalo status zlat\u00e9 desky a dodnes je odbornou ve\u0159ejnost\u00ed citov\u00e1no jako z\u00e1sadn\u00ed inspirace pro cel\u00e9 generace polsk\u00fdch hudebn\u00edk\u016f.<\/p>\n\n\n\n

Album Diary of a Madman<\/strong> z roku 1981 je hudebn\u00edmi experty, pova\u017eov\u00e1no za absolutn\u00ed vrchol spolupr\u00e1ce mezi Ozzym a kytarov\u00fdm vizion\u00e1\u0159em Randym Rhoadsem<\/strong>. Zat\u00edmco debut Blizzard of Ozz<\/em> postavil z\u00e1klady jeho s\u00f3lov\u00e9 kari\u00e9ry, na t\u00e9to desce se Rhoads\u016fv styl pln\u011b rozvinul do podoby dokonal\u00e9ho spojen\u00ed neoklasick\u00e9 techniky a syrov\u00e9ho heavy metalu. Deska disponuje mnohem temn\u011bj\u0161\u00ed, mysti\u010dt\u011bj\u0161\u00ed a propracovan\u011bj\u0161\u00ed atmosf\u00e9rou ne\u017e jej\u00ed p\u0159edch\u016fdce, co\u017e je patrn\u00e9 hned v \u00favodn\u00ed smr\u0161ti „Over the Mountain“<\/em> nebo v epick\u00e9, progresivn\u011b lad\u011bn\u00e9 tituln\u00ed skladb\u011b. Randy Rhoads zde prok\u00e1zal neuv\u011b\u0159iteln\u00fd cit pro kompozici a vrstven\u00ed kytarov\u00fdch part\u016f, bohu\u017eel se v\u0161ak jedn\u00e1 o jeho studiovou labut\u00ed p\u00edse\u0148, proto\u017ee jen p\u00e1r m\u011bs\u00edc\u016f po vyd\u00e1n\u00ed alba tragicky zahynul.<\/p>\n\n\n\n

V roce 2021 vy\u0161el k tomuto miln\u00edku speci\u00e1ln\u00ed remaster ke 40. v\u00fdro\u010d\u00ed<\/strong>, kter\u00fd fanou\u0161k\u016fm i sb\u011bratel\u016fm p\u0159inesl dosud nejv\u011brn\u011bj\u0161\u00ed poslechov\u00fd z\u00e1\u017eitek vych\u00e1zej\u00edc\u00ed z p\u016fvodn\u00edch analogov\u00fdch p\u00e1s\u016f.<\/p>\n\n\n\n

Album Bark at the Moon<\/strong> z roku 1983 bylo pro Ozzyho kl\u00ed\u010dov\u00fdm momentem „vst\u00e1n\u00ed z popela“. Po smrti fenomen\u00e1ln\u00edho Randyho Rhoadse hledal Ozzy kytaristu, kter\u00fd by dok\u00e1zal zaplnit pr\u00e1zdn\u00e9 m\u00edsto, a na\u0161el ho v Jaku E. Leeovi<\/strong>. Ten do kapely p\u0159inesl jin\u00fd, velmi modern\u00ed a agresivn\u00ed styl hran\u00ed, kter\u00fd definoval zvuk heavy metalu 80. let. Encyclopaedia Metallum<\/strong> vyzdvihuje Leeho schopnost kombinovat technickou virtuozitu s chytlav\u00fdmi riffy. Tato \u00e9ra byla ale tak\u00e9 poznamen\u00e1na kontroverzemi ohledn\u011b autorstv\u00ed skladeb, kdy Jake E. Lee a baskytarista Bob Daisley<\/strong> pozd\u011bji uv\u00e1d\u011bli, \u017ee se na kompozic\u00edch pod\u00edleli mnohem v\u00fdrazn\u011bji, ne\u017e p\u0159izn\u00e1valy ofici\u00e1ln\u00ed kredity na obalu desky.<\/p>\n\n\n\n

Deska jako celek p\u0159edstavuje posun od syrov\u00e9ho metalu k v\u00edce „pop-metalov\u00e9mu“ a syntez\u00e1tory podbarven\u00e9mu zvuku, co\u017e byl trend tehdej\u0161\u00ed doby. Tituln\u00ed skladba „Bark at the Moon“<\/em> se stala okam\u017eitou klasikou, a to hlavn\u011b d\u00edky Leeho bleskov\u00e9mu z\u00e1v\u011bre\u010dn\u00e9mu s\u00f3lu, kter\u00e9 dodnes pat\u0159\u00ed k u\u010debnicov\u00fdm p\u0159\u00edklad\u016fm metalov\u00e9 techniky. Album produkoval Max Norman<\/strong> a krom\u011b hutn\u00fdch pecek jako „Rock ‚n‘ Roll Rebel“<\/em> obsahuje i jemn\u011bj\u0161\u00ed momenty, nap\u0159\u00edklad baladu „So Tired“<\/em>. Komer\u010dn\u00ed \u00fasp\u011bch byl obrovsk\u00fd \u2013 jen v USA se prodalo p\u0159es 3 miliony kopi\u00ed. Deska definitivn\u011b potvrdila, \u017ee Ozzy je schopen p\u0159e\u017e\u00edt person\u00e1ln\u00ed ot\u0159esy a z\u016fstat na vrcholu metalov\u00e9 sc\u00e9ny i v nov\u00e9 dek\u00e1d\u011b.<\/p>\n\n\n\n

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Skupina\u00a0Breakout, v jej\u00edm\u017e \u010dele st\u00e1li kytarista\u00a0Tadeusz Nalepa\u00a0a zp\u011bva\u010dka\u00a0Mira Kubasi\u0144ska, je pova\u017eov\u00e1na za nejd\u016fle\u017eit\u011bj\u0161\u00ed formaci polsk\u00e9 rockov\u00e9 historie p\u0159elomu 60. a 70. let. Kapela vznikla v roce 1968 a velmi rychle se transformovala z p\u016fvodn\u00edho beatu do syrov\u00e9ho, energick\u00e9ho blues-rocku s v\u00fdrazn\u00fdmi psychedelick\u00fdmi prvky. Pol\u0161t\u00ed hudebn\u00ed experti, jako nap\u0159\u00edklad\u00a0Wies\u0142aw Weiss\u00a0(autor encyklopedie\u00a0Rock polski), zd\u016fraz\u0148uj\u00ed, \u017ee Breakout dok\u00e1zali … \u010c\u00edst d\u00e1l<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-190","post","type-post","status-publish","format-standard","hentry","category-vinyly"],"_links":{"self":[{"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/posts\/190","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=190"}],"version-history":[{"count":1,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/posts\/190\/revisions"}],"predecessor-version":[{"id":196,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/posts\/190\/revisions\/196"}],"wp:attachment":[{"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=190"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=190"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=190"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}