{"id":352,"date":"2026-04-16T18:11:35","date_gmt":"2026-04-16T18:11:35","guid":{"rendered":"https:\/\/worldofruprecht.eu\/?p=352"},"modified":"2026-05-14T13:19:09","modified_gmt":"2026-05-14T13:19:09","slug":"ride-the-lightning-kdyz-metallica-zmenila-pravidla-thrash-metalu","status":"publish","type":"post","link":"https:\/\/worldofruprecht.eu\/?p=352","title":{"rendered":"Ride the Lightning: Kdy\u017e Metallica zm\u011bnila pravidla thrash metalu"},"content":{"rendered":"\n

<\/p>\n\n\n\n

Dnes se mi na tal\u00ed\u0159i to\u010d\u00ed Ride the Lightning<\/em>. Tahle deska vy\u0161la v dob\u011b, kdy mnou za\u010dala cloumat puberta a j\u00e1 \u00fapln\u011b poprv\u00e9 objevoval taje metalu. K vinylu jsem se tehdy samoz\u0159ejm\u011b nedostal \u2013 na to nebyly pen\u00edze ani konexe \u2013 ale o p\u00e1r let pozd\u011bji to bylo jedno z m\u00fdch prvn\u00edch, a tehdy neskute\u010dn\u011b cenn\u00fdch, CD\u010dek. Pokud jde o hudbu, je to pro m\u011b jednozna\u010dn\u011b jejich nejlep\u0161\u00ed deska (spolu s Kill ‚Em All<\/em> a Master of Puppets<\/em>). A dnes? Dnes si tenhle klenot kone\u010dn\u011b pou\u0161t\u00edm jako funglovku na vinylu \ud83d\ude42. A ano, v\u00edm, \u017ee ten remaster je pon\u011bkud kontroverzn\u00ed, ale ten pocit z velk\u00e9 desky v ruce to v\u0161echno prost\u011b p\u0159ebije.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Ride the Lightning<\/em> (1984) pro m\u011b p\u0159edstavuje ten absolutn\u011b z\u00e1sadn\u00ed posun Metallicy od syrov\u00e9ho thrashov\u00e9ho ml\u00e1d\u011bte ke kapele se sofistikovan\u011bj\u0161\u00ed strukturou, kter\u00e1 naplno p\u0159edznamenala jejich budouc\u00ed ob\u0159\u00ed ambice. Album je technicky o parn\u00edk vysp\u011blej\u0161\u00ed, s v\u00fdrazn\u00fdm vyu\u017eit\u00edm harmonick\u00fdch modulac\u00ed a ne\u010dekan\u00fdch rytmick\u00fdch zvrat\u016f. Vemte si t\u0159eba Fight Fire with Fire<\/em>, kde ten poklidn\u00fd akustick\u00fd \u00favod brut\u00e1ln\u011b rozsekne explozivn\u00ed riff, nebo Fade to Black<\/em>. Ta jako prvn\u00ed balada kapely otev\u0159ela prostor pro introspektivn\u00ed lyriku a obrovskou dynamickou gradaci.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Produkce od Flemminga Rasmussena kone\u010dn\u011b dodala nahr\u00e1vce prostor a hloubku, \u010d\u00edm\u017e se kluci vymanili z toho typick\u00e9ho dobov\u00e9ho sklepn\u00edho undergroundu. Z\u00e1bavn\u00e9 p\u0159itom je, v jak\u00fdch porodn\u00edch bolestech ten posun vznikal. T\u011bsn\u011b p\u0159ed nahr\u00e1v\u00e1n\u00edm v d\u00e1nsk\u00e9m studiu Sweet Silence toti\u017e kapele v Bostonu ukradli prakticky ve\u0161ker\u00fd apar\u00e1t, v\u010detn\u011b Hetfieldova milovan\u00e9ho upraven\u00e9ho Marshalla. James si tak musel zesilova\u010d p\u016fj\u010dovat a hled\u00e1n\u00edm toho spr\u00e1vn\u00e9ho kytarov\u00e9ho t\u00f3nu str\u00e1vili ve studiu n\u011bkolik dost frustruj\u00edc\u00edch dn\u016f.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

A kdy\u017e u\u017e jsme u t\u011bch n\u00e1stroj\u016f \u2013 ten ikonick\u00fd t\u00e1hl\u00fd zvuk, kter\u00fd otv\u00edr\u00e1 skladbu For Whom the Bell Tolls<\/em> hned po \u00faderech zvonu, v\u016fbec nehraje kytara! Je to d\u00edlo geni\u00e1ln\u00edho bas\u00e1ka Cliffa Burtona, kter\u00fd prost\u011b prohnal svoji baskytaru p\u0159es siln\u00fd distortion, wah-wah ped\u00e1l a delay. Mimochodem, pokud hrajete na kytaru a zkou\u0161eli jste si n\u011bkdy pustit album a hr\u00e1t s n\u00edm, asi jste si trhali vlasy. P\u016fvodn\u00ed nahr\u00e1vka toti\u017e nelad\u00ed do standardn\u00edho A=440 Hz, ale je trochu „nadlad\u011bn\u00e1“ sm\u011brem k A=444 Hz. Pravd\u011bpodobn\u011b za to m\u016f\u017ee blb\u011b zkalibrovan\u00fd p\u00e1s ve studiu.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Tituln\u00ed skladba Ride the Lightning<\/em> tematicky skv\u011ble reflektuje bezmoc tv\u00e1\u0159\u00ed v tv\u00e1\u0159 syst\u00e9mu, co\u017e se na chv\u00edli stalo leitmotivem jejich ran\u00e9 tvorby. A\u010dkoliv byl Dave Mustaine tou dobou u\u017e z kapely vyhozen\u00fd, jeho st\u00edn je tu po\u0159\u00e1d siln\u011b c\u00edtit. Ofici\u00e1ln\u011b je podeps\u00e1n pr\u00e1v\u011b u tituln\u00ed pecky a u epick\u00e9 instrument\u00e1lky The Call of Ktulu<\/em>, kter\u00e1 pevn\u011b stoj\u00ed na jeho obl\u00edben\u00fdch komplexn\u00edch kytarov\u00fdch rozkladech. Album je tak nejen hudebn\u011b progresivn\u00ed, ale i ideov\u011b konzistentn\u00ed manifest mlad\u00e9 generace proti institucionalizovan\u00e9 moci.<\/p>\n\n\n\n

A je\u0161t\u011b mal\u00e1 sb\u011bratelsk\u00e1 rada na z\u00e1v\u011br: kdybyste n\u00e1hodou n\u011bkde na burze narazili na tenhle obal, ale blesky by na n\u011bm byly zelen\u00e9, nev\u00e1hejte ani vte\u0159inu. Francouz\u0161t\u00ed vydavatel\u00e9 z Bernett Records ud\u011blali p\u0159i lisov\u00e1n\u00ed obal\u016f v roce 1984 chybu a vytiskli barvy \u0161patn\u011b. T\u011bch zhruba 400 existuj\u00edc\u00edch zelen\u00fdch kopi\u00ed je dnes mezi fanou\u0161ky absolutn\u00ed svat\u00fd gr\u00e1l.<\/p>\n\n\n\n

Pro m\u011b je Metallica prost\u011b poslouchateln\u00e1 do jejich alba …And Justice for All<\/em>. V\u0161echno, co p\u0159i\u0161lo potom, u\u017e jde tak n\u011bjak \u00fapln\u011b mimo m\u011b.<\/p>\n\n\n\n

Jak to m\u00e1te vy?<\/p>\n","protected":false},"excerpt":{"rendered":"

Dnes se mi na tal\u00ed\u0159i to\u010d\u00ed Ride the Lightning. Tahle deska vy\u0161la v dob\u011b, kdy mnou za\u010dala cloumat puberta a j\u00e1 \u00fapln\u011b poprv\u00e9 objevoval taje metalu. K vinylu jsem se tehdy samoz\u0159ejm\u011b nedostal \u2013 na to nebyly pen\u00edze ani konexe \u2013 ale o p\u00e1r let pozd\u011bji to bylo jedno z m\u00fdch prvn\u00edch, a tehdy neskute\u010dn\u011b … \u010c\u00edst d\u00e1l<\/a><\/p>\n","protected":false},"author":1,"featured_media":784,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[128,127,126,129],"class_list":["post-352","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vinyly","tag-metallica","tag-ride-the-lightning","tag-thrash-metal","tag-vinylove-desky"],"_links":{"self":[{"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/posts\/352","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=352"}],"version-history":[{"count":2,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/posts\/352\/revisions"}],"predecessor-version":[{"id":448,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/posts\/352\/revisions\/448"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/media\/784"}],"wp:attachment":[{"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=352"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=352"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=352"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}