![\"\"](\"https:\/\/worldofruprecht.eu\/wp-content\/uploads\/2026\/05\/IMG_20260514_095054841_HDR-1024x768.jpg\")
<\/figure>\n\n\n\nA pr\u00e1v\u011b t\u0159et\u00ed studiov\u00e1 deska Misplaced Childhood<\/em> z roku 1985 je pro m\u011b t\u00edm nejz\u00e1\u0159iv\u011bj\u0161\u00edm klenotem. Moje vyd\u00e1n\u00ed na vinylu (2017 Europe, Parlophone \u2013 0190295825515) je 180gramov\u00fd remaster, kter\u00fd audiofilov\u00e9 pr\u00e1vem oslavuj\u00ed. Zvuk je n\u00e1dhern\u011b prostorov\u00fd, krystalicky \u010dist\u00fd a d\u00e1v\u00e1 vyniknout ka\u017ed\u00e9mu detailu Rotheryho kytary i Fishovu uhran\u010div\u00e9mu vok\u00e1lu. Z gramofonu se tenhle kousek poslouch\u00e1 jako dokonal\u00fd zvukov\u00fd ritu\u00e1l. A pr\u00e1v\u011b u velk\u00e9ho vinylov\u00e9ho form\u00e1tu nav\u00edc naplno vynikne dal\u0161\u00ed \u00fachvatn\u00e1 vrstva tohoto d\u00edla \u2013 jeho obal.<\/p>\n\n\n\n Autorem p\u0159ebalu je britsk\u00fd ilustr\u00e1tor Mark Wilkinson, kter\u00fd vizu\u00e1ln\u011b dotv\u00e1\u0159el Fishovy temn\u00e9 i nad\u011bjn\u00e9 vize. Ten obraz je doslova nabit\u00fd symbolikou a dokonale shrnuje Fishovu du\u0161i v roce 1985. Pokud se zad\u00edv\u00e1te do okna v pozad\u00ed, uvid\u00edte ruku a rolni\u010dky ut\u00edkaj\u00edc\u00edho \u0160a\u0161ka. Tenhle zhrzen\u00fd hrdina prvn\u00edch dvou alb tu vykl\u00edz\u00ed pole, proto\u017ee Fish dosp\u011bl a nech\u00e1v\u00e1 zaho\u0159klou minulost za sebou. \u00dast\u0159edn\u00ed postavou je mal\u00fd chlapec v historick\u00e9 vojensk\u00e9 uniform\u011b (modelem byl tehdy desetilet\u00fd Robert Mead), zosob\u0148uj\u00edc\u00ed onu \u201eztracenou nevinnost\u201c. Kontrast d\u011btsk\u00e9 \u010distoty a tvrd\u00e9, konfliktn\u00ed reality dosp\u011bl\u00e9ho sv\u011bta snad ani ne\u0161lo vyj\u00e1d\u0159it l\u00e9pe.<\/p>\n\n\n\n Ka\u017ed\u00fd detail tu m\u00e1 sv\u00e9 m\u00edsto. Chlapec dr\u017e\u00ed chameleona, symbol prom\u011bnlivosti a hled\u00e1n\u00ed identity v z\u00e1\u0159i ne\u010dekan\u00e9 sl\u00e1vy. Oknem dovnit\u0159 nakukuje straka \u2013 zlod\u011bjka, kter\u00e1 ukradla bezstarostn\u00e9 d\u011btstv\u00ed. A pak jsou tu vl\u010d\u00ed m\u00e1ky. Ty sice tradi\u010dn\u011b odkazuj\u00ed na padl\u00e9 voj\u00e1ky, ale z\u00e1rove\u0148 symbolizuj\u00ed opojen\u00ed a zapomn\u011bn\u00ed, co\u017e je mraziv\u011b up\u0159\u00edmn\u00e1 reflexe boje kapely s d\u00e9mony alkoholu a drog. Vnit\u0159ek m\u00edstnosti je pln\u00fd st\u00edn\u016f a t\u011b\u017ek\u00fdch vzpom\u00ednek, ale venku za oknem sv\u00edt\u00ed duha.<\/p>\n\n\n\n P\u0159esn\u011b tady se vizu\u00e1ln\u00ed str\u00e1nka dokonale prol\u00edn\u00e1 s textem. Duha p\u0159edstavuje samotn\u00fd hudebn\u00ed z\u00e1v\u011br alba, kter\u00fd po v\u0161ech bolestn\u00fdch pas\u00e1\u017e\u00edch p\u0159in\u00e1\u0161\u00ed katarzi a nad\u011bji. Ta se naplno odr\u00e1\u017e\u00ed v p\u0159ekr\u00e1sn\u00e9m textu skladby \u201eChildhoods End?\u201c, kde Fish zp\u00edv\u00e1:<\/p>\n\n\n\n \u201eI looked out the window<\/p>\n\n\n\n And I saw a magpie in the rainbow, the rain had gone<\/p>\n\n\n\n I’m not alone, I turned to the mirror, I saw you, the child, that still lives within me.\u201c<\/p>\n\n\n\n (Pod\u00edval jsem se z okna<\/em><\/p>\n\n\n\n A uvid\u011bl straku v duze, d\u00e9\u0161\u0165 u\u017e ustal.<\/em><\/p>\n\n\n\n Nejsem s\u00e1m, oto\u010dil jsem se k zrcadlu a uvid\u011bl tebe, to d\u00edt\u011b, kter\u00e9 ve mn\u011b st\u00e1le \u017eije.)<\/em><\/p>\n<\/blockquote>\n\n\n\n Je to moment naprost\u00e9ho sm\u00ed\u0159en\u00ed. Cel\u00fd tento koncept \u00fazce souzn\u00ed s hudebn\u00edm obsahem, kter\u00fd je intimn\u00edm vypr\u00e1v\u011bn\u00edm o pocitech samoty, ztracen\u00e9 l\u00e1sce a spaluj\u00edc\u00ed touze po bezpe\u010d\u00ed d\u011btstv\u00ed. Osobn\u00ed rovina se prom\u00edt\u00e1 i do skladeb jako \u201eHeart of Lothian\u201c, odkazuj\u00edc\u00ed na Fishovy skotsk\u00e9 ko\u0159eny. Kdy\u017e se pod\u00edv\u00e1te na dobov\u00e9 recenze, album bylo pro kapelu obrovsk\u00fdm triumfem. V dob\u011b, kdy progresivn\u00edmu rocku zrovna nep\u0159\u00e1lo \u0161t\u011bst\u00ed, zaz\u00e1\u0159ilo Misplaced Childhood<\/em> jako maj\u00e1k. Dobov\u00fd hudebn\u00ed tisk \u017easl nad t\u00edm, jak p\u0159irozen\u011b se poda\u0159ilo spojit komplexn\u00ed prog-rockov\u00e9 struktury s popovou p\u0159\u00edstupnost\u00ed, a siln\u00e9 balady \u201eKayleigh\u201c a \u201eLavender\u201c p\u0159ivedly k tomuto \u017e\u00e1nru z\u00e1stupy nov\u00fdch poslucha\u010d\u016f.<\/p>\n\n\n\n Marillion s Fishem nebyli jen hudebn\u00edci; byli to vyprav\u011b\u010di bolesti a melancholie. Deska Misplaced Childhood<\/em> nen\u00ed jen souborem p\u00edsn\u00ed, ale prov\u00e1zan\u00fdm celkem, neodd\u011bliteln\u00fdm od sv\u00e9ho vizu\u00e1ln\u00edho ztv\u00e1rn\u011bn\u00ed. Je to deska pro ty z v\u00e1s, kte\u0159\u00ed hledaj\u00ed hloubku a emoce, ze kter\u00fdch mraz\u00ed v z\u00e1dech. Pokud i vy hled\u00e1te v hudb\u011b z\u00e1chytn\u00fd bod v rozpadaj\u00edc\u00edm se sv\u011bt\u011b, dejte t\u00e9to nahr\u00e1vce \u0161anci a p\u0159i poslechu se nezapome\u0148te ztratit v detailech jej\u00edho obalu a text\u016f.<\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n","protected":false},"excerpt":{"rendered":" Kdy\u017e p\u0159ijde \u0159e\u010d na Marillion \u2013 a t\u00edm mysl\u00edm jedin\u011b tu jedine\u010dnou \u00e9ru, kdy za mikrofonem st\u00e1l Fish \u2013 mus\u00edm j\u00edt s pravdou ven: tuhle kapelu nekriticky miluji. V\u0161echna \u010dty\u0159i alba z tohoto obdob\u00ed jsou nap\u011bchovan\u00e1 naprosto geni\u00e1ln\u00ed muzikou, kter\u00e1 m\u011b v\u017edycky spolehliv\u011b dostane. Kdysi jsem tak \u00fapln\u011b nech\u00e1pal n\u00e1zory kritik\u016f, kte\u0159\u00ed Marillion ozna\u010dovali za … \u010c\u00edst d\u00e1l<\/a><\/p>\n","protected":false},"author":1,"featured_media":774,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[269,268,270,129],"class_list":["post-770","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vinyly","tag-marillion","tag-misplaced-childhood","tag-prog-rock","tag-vinylove-desky"],"_links":{"self":[{"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/posts\/770","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=770"}],"version-history":[{"count":5,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/posts\/770\/revisions"}],"predecessor-version":[{"id":803,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/posts\/770\/revisions\/803"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=\/wp\/v2\/media\/774"}],"wp:attachment":[{"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=770"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=770"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worldofruprecht.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=770"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/worldofruprecht.eu\/wp-content\/uploads\/2026\/05\/marillion-fish-band.jpg\")
<\/figure>\n\n\n\n![\"\"](\"https:\/\/worldofruprecht.eu\/wp-content\/uploads\/2026\/05\/marillion_misplacef3.jpg\")
<\/figure>\n\n\n\n\n
\n\n\n\n